More than itself: A Review of Lai Chih-Sheng’s Solo Exhibition “Clearing”    |    Tseng Che-Wei

Lai Chih-Sheng’s “One year project – Outing”: Wrinkles and Reunions    |    Yan Xiao-Xiao

A Review of Lai Chih-Sheng’s “2B205” at Taipei Biennial 2023    |    Elanor Wang

《 》Lai Chih-Sheng    |    Interview at Kiang Malingue

Closer to Luck    |    Anthony Yung

Lai Chih-Sheng's Sight Lines at Taipei Fine Arts Museum    |    Penny Liu

The Ballad of Canton Flower Housing Estate    |    Anthony Yung

Question: Objet en tant qu’une œuvre d’art, y a-t-il son sens qui permet lui- même de continuer sa fonction comme tel, ou bien un acte qui suspend notre connaissance comme ni l’un ni l’autre? — Le Crépuscule—Entre chien et loup, Exposition de Lai Chih-Sheng    |    Chien-Chiao LIAO

Lai Chih-Sheng    |    Daphne Chu

13th Lyon Biennale: La vie moderne    |    Oliver Basciano

Nearby Scenery    |    Sean C.S. HU

When the Future Disappears in a Video: About LAI Chih-Sheng's 'Instant'   |    CHIN Ya-chun

Spatial Interventions Pushing the Cycle of Self-reflexivity_LAI CHIH-SHENG    |    YU Wei

Present, Not Present: Room 1734    |    Ying-lung Linus SU

Subtraction Incident ‧ Preposition Coexistence ‧Anonymous Perspective     |    LIN Hsin-I

As an Exception to Reality: An Act of Writing Related to "Zuowei yizhong liwaiyuxianshide zhuangtai_LAI Chih-sheng"     |     CHIN Ya-chun